Friday, December 28, 2012

The King of Glory Shall Come in, Petra


This is possibly my favorite Petra song! The keyboard work is amazing, the song very upbeat, and the vocals by John Schlitt very nice indeed.

If you have never heard it, be in for a treat. What a nice way to learn the Psalms!

Ficaram Nus, Burnier e Cartier, 1975


Esta música foi uma das finalistas do festival Abertura, da Globo, em 1975. A dupla não ficou conhecida, porém, a música é ótima, e tem uma temática super-atual, quando qualquer um hoje em dia tira a roupa para "ensaios" nas Playboy e Sexy da vida, por alguns trocados. E depois, quando ficam famosos anos mais tarde, querem tirar as revistas, filmes de circulação...

Sunday, December 23, 2012

Faremos Menção - Arraial do Povo, Daniel de Souza, Frutos do Espirito


Eu adorava tocar esta "medley" de duas músicas do Daniel de Souza na minha Igreja. As duas músicas são cheias de acordes, com uma dissonante aqui e ali, e rápidas. As letras são ótimas, com bastante referências bíblicas, e são músicas bastante animadas, terminando com a participação da congregação com palmas.

Infelizmente, hoje em dia existe uma certa obcessão com música novas na igreja, e qualquer coisa que não seja Fernandinho, Aline Barros ou Hillsong, é vista com maus olhos. Assim, não acho que esta música seja muito tocada em igrejas hoje em dia. Uma pena. Eu tocaria todas as semanas, sem cansar.

Friday, December 21, 2012

Everybody Dancing Now, Lisa M


I admit two things. First of all, I have very poor musical memory, although I am a musician. Second, I am no lover of hispanic popular music per se.

However, I remember watching a video of this song as I was flipping channels, back in a Saturday afternoon the early 90's, and although I never heard this song again, the ^vamo bailar^ part of the song stuck to my mind. Not that I found the singer all that beautiful or sexy (she is neither). I just got the song in my mind.

Never thought I would hear it again, but, youtube does some wonderful things.

The song is part in English, part in Spanish, by the way. Part rappish, part merengue. Or whatever it is.

Monday, December 10, 2012

Balão Trágico, Premeditando o Breque


Nos anos 80, o Brasil era um país bem mais pobre do que hoje. Não chegava a ser nível África, porém, uma republiqueta de banana com anabolizantes. Muita coisa mudou, se sofisticou. Ainda há muitos pobres no Brasil, mas a miséria diminuiu um pouco. Não é somente por causa do PT...

Bom o post não é sobre política, mas sim sobre esta música do Premeditando o Breque, uma paródia dos hinos Xuxescos, Angelescos, etc etc, que surgiram de programas para crianças apresentados por loiraças de parar o trânsito.

A letra chega a ser cruel, porém se você entende a ironia, vê o gênio da coisa...

Cala Boca Zebedeu, Sergio Sampaio


Lembro de ter ouvido falar so Sergio Sampaio pela primeira vez no Festival da Globo de 1972, com Eu qQuero é botar meu bloco na rua". Tinha mais panca de roqueiro do que de sambista, assim que esta música também surpreendeu.

A letra é muito engraçada, e a instrumentação tem seus momentos cômicos, como um solo de kazoo. Sem contar o sintetizador. Sintetizador em samba, acho que pela primeira vez.

De qualquer forma, depois desta música nunca mais ouvir falar do Sergio. Uma pena.

Saturday, December 8, 2012

I want candy, Bow Ow Ow


New wave was fresh. A lot of interesting things came from that movement, especially videos in the MTV area. Who says a bald girl could not be sexy? And the name of the band. It was created by Malcolm McLaren, a producer best known for early rap. But I enjoyed the video and the song. There is supposed to be some double entendre, but I really did not care.

Gipsy Roadhog, Slade, Live 1977


I didn't quite get the fascination some rock artists had with bandits, outlaws etc in the 70s. This is a song about such a creature. Slade were not alone, even Paul McCartney wrote such a song, "Magneto and Titanium Man", Styx "Renegade", etc.

At any rate, this is from Whatever Happened to Slade, the 77 album in which the band tried to go back to its roots. The whole album has a "bad boy" feeling to it.

The song made it as a single.

Friday, December 7, 2012

THANKS FOR THE MEMORIES, SLADE



Rock and roll in the 70s was a funny thing. Bands tweaked with different formats, reached success, then decided to change their ways, only to fall into oblivion. Such was the case of Slade, which first two albums contained even violin solos, and weird songs such as "Martha my Dear" and "Knocking Nails into my House".

Then they found Chas Chandler, and became a powerhouse band, very successful in 71 to 74.

The problem is that when reaching success, lots of bands tried to emulate the Beatles, which as of 1967, experimented with more elaborate and sophisticated songwriting and arrangements. It did not always work, and it did not work for Slade.

Slade in Flame might actually be Slade's best album. There is no misspelled anthems like "Cum on feel the noize" that brought the band success. I did not actually watch the film, but have two versions of the album, the American and British one.

This is a nice song from that album, including the use of a clavinet, also used in "This girl" in the same album (American version).

Then in 1977 they decided to reverse course, but in spite of recovering some of their public, by then punk rock had come, and Slades fate was sealed.

Noddy Holder definitely has one of the most peculiar voices in rock

Friday, November 23, 2012

Blue red and grey, The Who


Actually, this is Pete Townshed playing solo. But the song was part of Who By Numbers, by far the group's most depressing album. Two funny things - the song is anything but depressing, where Pete shows his love for life, and the other thing, as in this clip, on the original recording, Pete, the guitar smashing king of power chords and loudness, is playing a meek ukulele.

A gem, if you ask me.

MPB 4, Gabriela


Os Festivais da Record foram importantes na minha formação musical. Tive o privilégio de assisti-los quando estavam acontecendo. Deles participaram futuros gigantes da música popular brasileira, como Chico Buarque, Caetano Veloso, Milton Nascimento, Gilbert Gil, Gal Costa, MPB 4, etc etc.

Esta música é interessante por que foi a primeira vez que ouvi um frevo. Mais tarde, fui grande fã de frevo baiano, tocado com guitarras baianas. O arranjo desta música é bastante diferente, lógico. Em vez das estridentes guitarras baianas, orquestra. Porém a energia do frevo está todinha lá.

Dá para sentir um pouco o clima de energia do festival.

Thursday, November 22, 2012

Piggybacking on other people's travels

When I was a child, I used to tack the atlas with me to be bathroom, and while handling my physiological needs, I dreamed of travelling the world.

As I grew, the atlas began to shrink. The realities of geopolitics, as well as my own physical shortcomings and utter desire to stay away from problem resulted in the removal of several destinations from my "place to visit" list.

Today I have actually been to quite a few countries, many of the ones I desired to visit in the first place, but my traveling stories lack the most exotic places. It seems I will depart the Earth before getting around to visit these places, for they lack the appeal, or I lack the courage to visit them.

I have actually met two people that visited Guinea-Bissau. One was an IMF analyst. When he went there, in the nineties, there was a single weekly flight coming from Europe. So he had to stay there what amounted to be a very long week. Even the people in government asked for toothpaste and toothbrushes, given the lack of such day-to-day articles in the poor country. The other, a pastor who had a ministry there. He actually brought videos, it did not seem so bad. However, it did not seem so good.

I had heard about Nigeria's woes. A resource rich country, with a vast population, several tribes with no connection with each other sharing land and power, in other words, a volcano ready to explode. A friend of mine went there on a business trip in the 90s. It turned out that he and a friend of his had fallen for a Section 419 scam, and he almost lost his life. His ambition almost killed him, for a I had forewarned.

A friend of mine went to Ecuador recently. A cousin of mine lived there for a while, as  a director of a multinational company. It does not seem so bad. However, my friend, who had his ticket paid by the relative of another friend, had severe diarrhea for weeks. And he ate the best places. Mind you, that guy can eat just about anything, in industrial quantities.

A semi-relative of mine has both the funds and courage to visit remote places. He has been to Antarctica, actually diving off the coast of the gelid continent, and has climbed the Annapurna - not the whole thing, he made it to about 6000 meters. One day I actually dreamed of making it up and down such places, however, the glamorous reality of climbing high mountains is very different from  the discomfort and possibility of frostbite and falling off a 2000 meter drop. As for his diving in the frigid waters of Antarctica, he says he got very close to death when one of the breathing apparatus failed. He was diving solo.

Then, there was a single person I know who went to North Korea. He was invited, I have no idea why, to perform as a magician in the reclusive country in the early 90's (he is a magician). His impression of the country was not that great, and I imagine he was being nice. I have no idea if he made any money from the North Korean "tour" and he whether he ate only rice and cabbage, as most North Koreans endure as meals every day.
 

No sir,  I will keeping on visiting the places on my shorter list...

Land of Make Believe, Moody Blues


This is a track from the Seventh Sojourn album. Again, I have to thank one of the record clubs I subscribed to at the time. This was an album of the month, I failed to reply I didn't want it and ended up keeping it. A decision  I would not regret.

There are more famous tracks in this album, but this is the one I really love. The arrangement, vocals, melody and lyrics are all wonderful. Michael Pinder's work on keyboards is monumental. Pinder was mostly known for his work with the Mellotron, a device created in the sixties, even before synthesizers, which actually replayed tracks for various instruments. It was basically used for strings, but also for choir and orchestra, with great effect. It was a hard instrument to play, especially live, for at times it would get stuck, or even fall apart. Rick Wakeman is said to have burned the three mellotrons he had, in frustration.

At any rate, for the longest time I thought Pinder was playing only Mellotrons in this record, but in this song it was most probably a Chamberlin, which emulated orchestral sounds better than the Mellotron. Very similar, yet, not the same.

Wednesday, November 21, 2012

Words, Missing Persons


Once upon a time, MTV was Music Television, a place where you watched videos. Eventually, it became a ~lifestyle~ channel. What lifestyle is that? A bunch of loser-behavior programming if you ask me.  Early 80's MTV rocked, I could not get enough of it. However, it does seem that segmented TV is a thing of the past. Speed, a channel originally created to broadcast car racing, will be phased out, just like MTV became a ~lifestyle~ channel.

As for Missing Persons...The video is excellent, the arrangement super. And the singer...not a beautiful woman by a stretch, but she conveyed the message. A Nina Hagen look alike, if you will.

The reality is that Lady Gaga, whom a lot of people consider a novelty, seems to have copied her look to a tee.

Enjoy


É a Massa, Trio Elétrico Dodo e Osmar


A qualidade do video é péssima. Provavelmente, uma filmagem de uma TV. Porém, a música realmente foi tocada ao vivo, por que a gravação é diferente. É de um disco de 1981 do Trio Elétrico Dodo e Osmar. Rapidíssima e super difícil de tocar, demonstra plenamente o gênio de Armandinho Macedo com o pequeno instrumento.

Apanhei-te Mini Moog



Originalmente uma faixa do disco "Mudança de Estação", da Cor do Som, depois regravado no disco Intuição, a música de Mú Carvalho continua a adquirir roupagens novas, agora mais unplugged.

O nome é um trocadilho da música "Apantei-te cavaquinho".

Live for Today, Sweet



Another song from Off the Record. Pure rock and roll. I don't quite agree with the lyrics, but be that as it may, rock lyrics to me are rather incidental to the song. Most of them are garbage anyway. However, the song is the record's most driven one, and even has the F word, at the time, a rather unusual occurrence.

A great hotel in Paris


Paris is known for some some good, and some crummy hotels. The Novotel Les Halles is a very good, yet not expensive hotel.


The strong point of the hotel, besides the excellent location, is the breakfast. I will tell you, it is very sumptuous. The variety and freshness of the items is awesome, and you can basically skip lunch if you want. I don't remember how much extra I paid for breakfast, but I think it was much less than you can spend on a simple coffee and tartine in a street side cafe.

By comparison, the breakfast at the Le Grand Hotel, where I also stayed during this trip, was a whopping 49 Euros A PERSON! Needless to say, I did not try it.


As for the Novotel Les Halles, it is located right in front of a subway station. The area is full of nice shops and restaurants, nearby museums, and very animated.
The rooms are not very large, but everything is very modern. You can expect to pay a little more than the crummy hotels I referred, but it is definitely worth it.



Reproduced from http://legaltranslationsystems.com/blog/blog3.php/2012/11/21/a-great-hotel-in-paris

Tuesday, November 20, 2012

Fever of Love, Sweet


I liked Sweet quite a bit, but I got the "Off the record" album from one of those record clubs, I didn't quite order it. I decided to keep the record.

There are some weird songs in this record, but they grown on you. Most of them have the typical Sweet high pitched harmonies, and little parts sang by bass player Steve Priest. I ended up liking this song a whole lot, and finding the video in Youtube has been a treat.

Uma surpresa ruinzinha do UMG

Pois bem. Outro dia, olhando no Youtube, achei uma música do Moraes Moreira que gostava muito, "Quem Nunca foi Um Menino". Tenho o álbum em vinil, porém nunca achei o CD. Aparentemente, o catálogo da BMG Ariola tem uma situação curiosa, por causa da falência da empresa, ou algo assim. Por isso, os CDs daquela época da carreira do Moraes nunca foram relançados.

Ia colocar um video aqui, pois a música realmente é legal. Fala de infância, etc, a letra e o arranjo são muito bons, de forma geral, o disco inteiro é ótimo, um dos melhores do Moraes Moreira.

Daí, busquei o vídeo, e nada. No google, achei um link, só que dá uma mensagem da UMG, que o vídeo não está disponível neste país (no meu caso, EUA)!!!

Pesquisei um pouco, e descobri que a UMG (Universal Music Group) fez algum tipo de acordo com o Youtube, bloqueando os tais vídeos. Suponho que no Vietnã seja possível ver o vídeo, mas não acho que o MM tenha muitos fãs lá...

Pelo menos achei o download (pago, nada de pirataria) na Uol, aparentemente a UMG se dignou a lançar um CD com esta música e algumas outras raras do MM. Porém, não lançou o Pintando o Oito inteiro, uma pena.

Uma vez perguntei ao próprio Moraes Moreira por que ele nunca tocava músicas do Pintando o Oito em seus shows. Ele riu e disse, "pois é". Faz muito tempo isso.

Se quiserem ouvir no Kboing, eis aqui o link http://www.kboing.com.br/musica-e-letra/moraes-moreira/1131439-quem-nunca-foi-um-menino/

Monday, November 19, 2012

Close to the Edge, 1975


In this version, Swiss keyboardist Patrick Moraz practically destroys the song. Instruments seem out of tune (old synthesizers could go out of tune), settings are wrong, the mixing does not help. He is not a bad musician, in fact, great. But he seemed out of place in Yes, and seemed a tad put off playing other people's music.

He ended up playing for Moody Blues, where he stayed a while, until being fired by the band, whom he sued later.

Close to the Edge, Amsterdam



This is a great rendition of Close to the Edge, with symphonic orchestra and all. The keyboard player does an awesome job, in fact, plays the song better than even Rick Wakeman.

Compare to the rendition by Patrick Moraz, which I will post sometime later.